Worship Songwriting Workshops

For the next couple of months I will take one day out of each week to reprint the story of the birth and early months of the Sojourn Worship Songwriting Workshop, beginning today. If you're in the Louisville metro area and would like to join us, please email me for more info. There's a link to my email address on the blog page. Now here is part one, as it first appeared last December:

Sojourn Worship Songwriting Community

"... I was having dinner at Johnny Cash's house outside of Nashville. There were a lot of songwriters there. Joni Mitchell, Graham Nash, Harland Howard, Kris Kristofferson ... Joe and Janette Carter ... cousins to June Carter, Johnny's wife.
After dinner, everybody sat around in the rustic living room with high wooden beams ... We sat in a circle and each songwriter would play a song and pass the guitar to the next player. Usually, there'd be comments made like, "You really nailed that one."
-- Bob Dylan, "Chronicles, vol. 1"

This is the kind of thing that I'd always wanted to be a part of: a community of songwriters. Michael Card writes about the importance of developing inner-communities of artists within the church in his "Scribbling In The Sand: Christ and Creativity." He stresses the Biblical basis and model for community, and out of that develops at outline for a structure based on constructive criticism, apprenticeship, aesthetic accountability, freedom to experiment, and unqualified acceptance.

Each of these areas has a faux counterpart in the world of commercial artistry. For instance, artistic criticism in the world usually comes after the fact, when it can't do much good. And it's usually provided by someone who doesn't know, let alone care about, the artist. The criticism isn't designed to be constructive, it's designed to tell a consumer which product to buy.

Concerning the freedom to experiment, Card writes:

"Artists must be free to try seemingly foolish things, experiments that at the outset seem doomed to failure, if for no other reason than to be able to discover ... what does not work for them. When the dust from the debacle clears, when the cacophonies stop echoing, artists need to know that their acceptance, their value as a person, has not been damaged in any way. So what, try again. The community will always be there for them."

Card then proposes the creation of a Covenant Artist Alliance that is guided by these purposes:

1. To provide a structure for genuine community.
2. To provide a covenant to which artists and their supporting resource people can commit themselves, uniting them in purpose and vision.
3. To provide a means of aesthetic accountability within the community.
4. To provide a place where apprenticeship can happen.
5. To support a speaker series and forum for the community at large.
6. To provide a retreat center for covenant members.
7. To place in community artists and resource people so the spirit of the covenant can be lived out in the day-to-day "business" of creativity.

As a long-time songwriter who was only just beginning to learn the ropes of worship songwriting, I was looking for something like this when I began going to Sojourn in the Fall of 2004. One day, while looking through old discussion threads in the Sojourn chat room, I came across a worship songwriting discussion that had begun a year previous and died out a few months before I had begun attending. It seemed like the discussion was leaning in the direction of creating this thing that I was looking for. One person, Mike Cosper, even wrote about Card's book and the Alliance. Yet the discussion thread died out in midstream. I couldn't tell if it had "went underground," if interest had waned, or what.

TO BE CONTINUED ....