Same River Twice, a short story. Part Two
Continued from the previous post ....
“That’s it,” he said the next day to his elderly, suburban neighbor Carl as they sipped tea on Marshall’s peeling front porch. “I’m done. They don’t want no new singers in country music.”
“Now Marshall, one little butt-kicking don’t mean nothing.”
“No, no, it’s not -- that may be the straw that shot the camel, but it’s more to it than that. Them old boys don’t like my songs. They don’t understand the subtlety of my lyrics -- those country fans.”
Carl chugged the remainder of his tea and started grinding the ice with his dentures, expecting Marshall to go on, but he didn’t, so Carl spit the ice back into his tumbler. “Son,” he said, “let me spell it out straight. Ever since I known you, you’ve been trying to make it in the music business. Now I seen you try folk, rock, folk rock, punk rock, reggae, disco -- ”
“Carl!”
“I said disco -- you tried it, you can’t deny it, I was there when you wrote your little ‘Disco Stalin’ song.”
“I was making a serious statement with it, is all.”
“And you been through every other kinda musical phase. Now it seems to me you need to decide who you is and who you ain’t.”
Marshall sighed and watched a couple cars zip through his quiet neighborhood. Not many cars came through, but when they did, they came fast. He said, “You know that saying, ‘You never step in the same river twice?’ Because by the time you put your foot down, it’s already different water and sediment and all?”
“I’ve heard tell.”
“That’s the music business! Every time I study the music scene, no matter what style, by the time I learn my covers and write my new stuff, make some contacts, get my wardrobe adjusted and all, everything changes. Like when I done bluegrass and it was all about newgrass -- electric fiddles and reinterpretations of Stones’ songs, mixing in some jazz riffs, you know. But by the time I got my festival gig, everyone was all into retro, earthy mountain music. Throwback bluegrass.”
“What you need is something that don’t change.”
“Least not till I’ve made my mark. I’m tired of showing up feeling like a jackass in a bull-riding competition.”
Carl studied the melting ice in his tumbler. Soon it would be too small to chomp. He stifled a subversive smile. “Know what don’t change, son? The gospel.”
“What?”
“Gospel of Jesus Christ, boy. ‘Same yesterday, today, and day after.’ You need to get you in with a gospel singing quartet. I know just the one. My nephew Darren sings baritone. The Ohio River Boys.”
Marshall furrowed his brow. “I done tried to land a song on the Christian charts, Carl. Afore we met. Little rap tune.” Marshall stood
TO BE CONTINUED
Will Marshall perform his Jesus Rap for Carl? Will he attempt to join the Ohio River Boys? Will someone knock him out again? These and other questions answered next time, in Part Three of "Same River Twice."
47 Comments:
It all has a point, Rabby. Just sit back and enjoy the show.
I don't understand any of this.
Oh, sorry -- this is Harvey Brown.
Brilliant work from Mr. Gilles so far, I should say. I think the most telling line is the simple, quick reference to Marshall's neighborhood street: "Not many cars came through, but when they did, they came fast."
It is what we sophisticates call the "figure in the carpet," the subtext. It is symbolic of Marshall's "can't step in the same river twice" dilemma.
No, Sebastian, I would not call it a figure in the carpet. Let us go back to James for the essence of the term:
"Vereker's secret ... the general intention of his books: the string the pearls were strung on, the buried treasure; the figure in the carpet."
But this is precisely my point, Camille. It is, as our dear Henry James wrote, "the general intention" of this work, this colossal work of the perspicacious Gilles. It is in fact the title of the work: "Same River Twice."
Could it be that you do not see it?
Could it be that YOU do not see, Sebastian? You said it clearly: it is the very title of the work. How then could you come to call it subtext? It is right before us. I should think a writer of Gilles's magnitude would have a great many more and deeper things to say to us through subtext than to merely buttress his theme with descriptions of cars moving quickly down the suburb's main drag.
Oh, my Camille, I hardly know you -- dare I speak it? Dare I say it? The way you talk ... your way with words ... it moves me. One can only hope you do not think it the height of hauteur that I must disagree with you on this matter.
And perhaps you will hoist me with my own petard, my words, the thrust of my argument, but I simply must say that this magnificently simple line, this line about cars, lies at the heart of Gilles's thought-provoking fiction.
Oh Sebastian, I do concur. The line is stunning. I simply disagree that it is subtext. But you make your case in a way that plums the depths and bares the secrets of my very soul.
Oh Camille!
Oh Sebastian!
Oh Camille!
Oh Sebastian!
You bloody well better stop it, the both of you, you lotus-eating poseurs. You obviously don't know what you're talking about. And I daresay you cannot begin to accurately assess where Gilles is taking us as of yet. The story is just getting started. Miles to go before we sleep, blokes. Miles to go before we sleep.
Sebastian! He --
Now hold on there, Mr. Fergus. Say what you will about me, but you shan't utter such vulgar remarks about this lady at my side. My email side.
Shan't I?
Not whilst I am here. I, Sebastian.
Bloody hell!
What?!?
Have a care, sir! Have a care!
Or what, you dainty little marianismo-filled half-pint?
Or, or, or ... it shall be pistols at dawn!
Ha! How about a can of whoop-ass at noon?
You beast. I abhor you.
You have crossed your Rubicon now, sir. This aggression shall not stand.
Brute! He's a brute, Sebastian.
Abd yet, you are drawn to me, aren't you missy?
Not if you were the last man on earth.
Oh, it's okay, missy. What you're feeling. It's natural. You want a man can take care of you. Not this, this puny, purple-cape wearing flyweight with his little curls of gold.
My grandmama made me this cape.
The wench is mine, Sebastian.
Never. Um, what nice arms you have.
Camille!
I'm sorry, Sebastian! Really. I'm sobbing. Just sobbing. But ... but Fergus moves me. In some earthy, primordial way. I feel as if ... as if our souls are connected.
Feels as if my rugged good looks are impossible to resist, is what she feels.
Oh brute, don't treat me so. You have already won me and disgraced my Sebastian. Is it not enough?
ohhh anticipation . . . . especially because Marshall stood . . and then what did he do? Run away with his arm flailing and his guitar strapped to his back destined to be a travelling musician with a dancing monkey, bust into his Christian rap with cool breakdancing moves for Carl to ohh and ahhh at, pour tea all over Carl's head or better yet pull out his dentures so as not to be tested by the sound of crunching ice? You can't just leave us waiting, it's cruel.
Oh wait, there seems to be some sort of soap opera going on in the comments. Two dueling stories at once, what shall we do?
Gilles?!?!?!?!?! what in the heck are you doing? I think you need to be checked for multiple personalities or something!
It seems that all of Bobby's personalities have come out to play... an ecclectic mix of english prose, redneck philosophy and Lebowski-isms... or else he has way too much time on his hands. Either way, he is amazingly creative. Wait, I'm gonna have to work on my vocabulary if I'm gonna post on this blog. I mean he is resplendently ingenious.
It seems that all of Bobby's personalities have come out to play- an eclectic mix of English prose, red-neck philosophy and Lebowski-isms... or else he has way too much time on his hands. Either way he is amazingly creative. Wait, I'm going to have to work on my vocabulary if I'm going to post on this blog. What I mean is that he is resplendently ingenious.
oops- it seems my two personalities had to post that twice
So now we have another doll to add to the prestigious Milli collection: Multiple Personality Milli. I think that one will be a big seller. Maybe we'll sell it in a three-pack with Mighty Milli and Mini Milli. Or maybe in a three-pack by itself. Get it? Multiple Personality Milli by itself? LOL.
Tom, I don't know what you're talking about.
Katie, the comments section appears to have been overrun with some of my fans. I don't know why I attract all the crazies, but I wish they'd leave off with the violence. It's chilling, is what it is.
Hmmmmm I wonder what is says about the person when their fans consist of crazies living out soap operas in blogger comments? I think this qualifies you in the crazy column too.
'three pack by itself'- that's a good one.
You're forgetting the obvious Hillbilly Milli- she's barefoot and toothless and comes with a little banjo. Oh yeah, and a t-shirt that says 'Gettin' Lucky in Kentucky'.
Katie: I refer you to the Dali quote on this blog's masthead. Only difference between a madman and me? I'm not mad.
Milli: "Hillbilly Milli!" How could I have missed that one? Great thinkin'!!!
This comment section is like my daily life....
they just wont stop talking in my head
Yeah, I'm always hearing voices. I don't know man. Is that weird?
8-)
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